When I was younger, I used to love to go to 4th and South and head over to Repo Records as well as Relapse Records. I never actually cared for 611 Records, though, but they ALWAYS had the best art on the side of their building! I took this photo back in the summer of 2005 before I really started shooting street art, but even then I knew I had to get it!
I remember talking to someone about this and they said they actually tended to change it up every few months. I still remember when they had this incredibly sick Metallica piece on there, and I’m pretty sure it was Master of Puppets! Its a shame the wall has been since painted over and no new pieces have popped up in the last few years.
When you’re a kid, you imagine finding ancient ruins, lost cities, and new worlds. When you’re an adult and you accomplish this goal, a feeling of both pride and nostalgia washes over you, cleansing you of all your inhibitions and fears and it beckons you to embark on this new quest.
Against the water and hidden from prying eyes, The Pier was just breathtaking. The years were not kind to most of it, but the decay was just perfect. It was, without a doubt, the most stable and safest abandoned structure we had ever gone to. The place had to be at least 3 city blocks long, maybe more. Every single tower in the place was covered in tags! Hands, wildstyles, pieces, throw-ups. Everything and everyone was represented!
“You know what would be awesome?,” I asked Pipelines.
“I don’t know, what?”
“If you had a paintball fight here! It’s perfect!”
That was when I noticed that a lot of the towers were, in fact, covered with paintball bullets. I guess I wasn’t the only one to realize this.
Over the course of an hour, maybe even more, we were in awe of this behemoth. We ran around examining almost every inch. We even yelled and scream in joy because, for once, we could. No one awaiting the corner to possibly attack us, no cops waiting to bust us. No, none of that. All we had was the peace and joy of a new fort.
As we left, we passed someone who seemed to just arrive to take photos. We exchanged glances and smiles; we knew they were about to have the time of their lives.
I wasn’t sure what to expect, as I was going off of one somewhat promising picture I saw. It reminded me of The Rez in that there were so many detailed pieces because the place was relatively undisturbed. Unfortunately, quite a few of the pieces were faded because of rain and winter weather. Still there were many awesome ones, familiar and unfamiliar, that remained preserved.
Here are a couple of the broad sides. More to come this week.
“Where are we again?”
“We’re somewhere [redacted], but it shouldn’t be too dangerous.”
“Wait, what’s with the truck? Should we be-”
“Don’t worry, every photo I’ve seen of this place has that truck there. We should be OK.”
Myself and Pipelines had finally arrived at the entrance of the place we were tipped off about. I had helped scout out the place on Pipelines tip, and together we were going to explore it. The place was around [redacted], and largely ignored. All around us were a bunch of No Trespassing Signs, but none of them were for the property we were about to go to. “Don’t worry,” Pipelines said, “It’s mainly so if someone gets hurt that the owners can’t get sued. Instead, the blame falls on the person who enters.” Pipelines, always good for a gentle reminder that this job is sometimes easier than I think.
As we approached the truck, I soon realized there was also a guy there. In his late 50’s and balding, the man was gazing out at the vast tract of mud and dirt before him. I waved hi and smiled and he returned the favor in kind. We looked around for a [redacted], but didn’t see it. “Hey, isn’t there supposed to be a path around here?” “There is,” he said, “But it really isn’t really for walking, just cars.” “Ah, gotcha, thanks!” We took another look around and figured the best way in was by just climbing over some rocks blocking the way.
The closer we got, the more impressive the stone monolith became. Finally, we arrived at the entrance.
Covered in tags from top-to-bottom was The Pier, forgotten by time and nearly everyone. This was, by far, the single biggest playground for Philly Taggers we’d ever come across, and the incredibly epic amount of tags was staggering! From the entrance alone we saw fresh tags mixed with some rather old ones. When we finally walked by The Pier to the other side for a better look, we were floored by the incredible expanse we were about to embark on.
These are from last fall, but the fact remains that I love going to The Rez! Ever since last summer when O.D.D.Ball, Yeroc, and Eaze took us there, we’ve always enjoyed going there and back. We went back on out own last fall and got to actually relax a little and take a ton of shots. The main thing I enjoy about this place is all the years of street art that you’ll find.
Oh, and my favorite…. BURNING RABBIT HEAD OF DEATH!!!!!!!!!!!!!!!!!!!!!!!
Underneath some abandoned railroad tracks is some amazing street art that is hidden from most prying eyes. Another tagger’s paradise, this one has gotten more and more difficult to get into. O.D.D.Ball and Tober have been here, along with Shock, Hank, Seka, and countless others! The pieces here are incredible, and its a real treat to get to see!
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